Monthly Archives: February 2014

Cordelia

If Grace Chia’s first collection Womango (1998) is, as its poet’s preface confides, about “the fuel which boils [the poet’s] blood and [her] womanhood,”[1] then what confronts us in Cordelia is a celebration of womanhood “gorgeous / head above water

Cordelia

If Grace Chia’s first collection Womango (1998) is, as its poet’s preface confides, about “the fuel which boils [the poet’s] blood and [her] womanhood,”[1] then what confronts us in Cordelia is a celebration of womanhood “gorgeous / head above water